Boris Lehman Movies

A family of Polish-Jewish refugees arrives in Brussels in 1947 to navigate the challenges of postwar survival. Guided by a maternal voice-over, the...

"Two independent filmmakers, who willingly practise self-fiction, are filming each other in order to communicate better. In spite of their...

Histoire de mes cheveux ended with a shot where I found myself locked in a concentration camp. I had said shortly before that I was glad I finally...

Boris Lehman’s “Cinématon” n°1463 portrait by Gérard Courant on December 14, 1990 in Saint-Maurice, France.

The story of my hair can be told in two lines. My hair was long and black. It has turned white. It hasn't been cut since 1982, almost thirty years...

14Reels is a collective film in Super 8, where 14 directors in 14 cities around the world have filmed and edited in camera one reel each on the theme...

A short ciné-tract made by Boris Lehman in homage to the films of May '68.

To escape the dreary daily routine of city life, where she no longer finds meaning in her life, a filmmaker sets out in search of her own film, using...

Reel 4 of Gérard Courant's on-going Cinematon series.

A wordless travel on a barge from Clabecq to Ruisbroek. This is the Boris Lehman’s student movie done for the INSAS school.

The film illustrates the paradox that 64=65.

Seven apartments, seven times of life: one film. A classic diary film, Boris Lehman intimately chronicles his own existence and that of objects and...

This film takes a look at the French concentration camp at Rivesaltes. It does not deal with the site of memory but rather memories of the site...

In July and August Lehman filmed 150 individuals in and around Brussels, and he himself was filmed by the same persons. Like in a kaleidoscope...

The film is the cinematic encounter of two looks (that of the painter Arié Mandelbaum and that of the filmmaker Boris Lehman) with one voice:...

Sarajevo, 1993. Haska is 28 years old. She loves Elvir, but even more so their 8-year-old son Denis, who has taken center stage in her life since the...

Adrienne is not my mother. She is not Jewish. I met her five years ago, at Edouard’s, where I’d gone to ask my friend to lend me a dinner...

A collage film, a dialogue between mother and the unborn child, the film can be seen as a personal self-analysis by René Paquot, who dreamily...